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About the Features

Each M/C Reviews feature section is a themed group of reviews centring ona particular cultural event, category, or genre. In line with M/C Reviews'general rationale that the diverse productions of media and culture demanda more comprehensive type of review forum than other fields, the aim ofthe feature sections is to provide a space for reflecting upon keycultural phenomena in their various aspects and from different angles,sometimes conflicting ones. This breaks through the normal drawback ofreviews -- i.e. that they usually come in ones and present monologicalvisions. The whole concept arises from the unique characteristics ofelectronic publishing -- its short production cycles and abundance ofpublication space allow plural and timely treatments of relevant issues.

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Current Feature Issue
M/C Reviews feature no. 13
25 Oct. 2001
12 review articles
Interactive
Co-edited by Kelly McWilliam and Kate Douglas
 

Interactivity is, arguably, a relatively recent phenomenon. Increasingly employed as an advertising 'gimmick', interactivity functions in a number of different, often disparate ways. Interactivity, in its basic form, refers to some form of consumer involvement, usually in the form of a direct action, within the product they consume. It proffers increased information, access, power and even control for consumers. In this M/C Reviews feature, we have collected a series of thought-pieces that represent a broad range of interpretations of the terms ‘interactive’ or ‘interactivity’ as they relate to various arms of media and/or cultural studies.

So, if you’d like to ‘interact’ with us, read on!


  Editorial: Your Say - Interactivity in Contemporary Media by Kelly McWilliam and Kate Douglas 25 Oct. 01
  The pacification of interactivity by Mark Andrejevic 25 Oct. 01
  Oldest Trick in the Book: Interactivity and Market Interests in Indonesian Television by Gareth Barkin 25 Oct. 01
  Intertextuality and Interactivity: when Twin Peaks goes to the net by Yesim Burul 25 Oct. 01
  Increasing the Interactivity: The Eurovision Song Contest and Australian fans by Kate Douglas 25 Oct. 01
  The Personal Periodical: Problematizing Notions of Self-Disclosure and Interactivity by Megan Foley 25 Oct. 01
  “TV you do!”: Disney-style interactivity and the corporo-empowerment of American tweens by Michael D. Giardina and Jennifer L. Metz 25 Oct. 01
  Interactivity and the Realm of the Dead by Michelle Henning 25 Oct. 01
  Consumer, or the Consumed? MMOB reverses consumer’s identity by Amy Lee 25 Oct. 01
  Why Hyperfiction Didn’t Work by John Miller 25 Oct. 01
  Television: Theory, Practice and the Interactive by Greg Oguss 25 Oct. 01
  The Illusion of Consumer Participation: The Case of Talk Radio by Sara O’Sullivan 25 Oct. 01
  We Love Big Brother by Cally Phillips 25 Oct. 01
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