Hilarious Spectacle:
'The Marriage of Figaro'
Paul Mc Cormack

Queensland Theatre Company, Optus Playhouse, Brisbane, 31 Aug. to 19 Sep. 1998


20 Sep. 98

Bit 1 The Marriage of Figaro by Beaumarchais, adapted for this production by Neil Armfield and Geoffrey Rush, directed by Neil Armfield, and presented as part of the Energex 1998 Brisbane Festival by the Queensland Theatre Company, marks the opening of stage five of the Queensland Cultural Centre Complex: the Optus Playhouse Apparently when the play was first performed in Paris on 27 April 1784 the applause was so forthcoming that it took five hours instead of three and a half. Audience appreciation wasn't quite so overwhelming on the night I went (10 September 1998), but there was nevertheless quite a lot of clapping for what was quite a good performance; actually it was better than that, it was a thoroughly enjoyable night out. (Mind you, for $45, it would want to be -- though I guess that's the student in me talking.)
Bit 2 Contemporised to suit the current Australian socio-political climate it also blends beautifully with the current sexo-political climate in America: it's a story about the exercise of power without regard to the wishes of the people, expressed through the satyriasis of the Count Almaviva, played to hyperbolic perfection by Bille Brown. Figaro, the Count's chief steward played by Geoffrey Rush, is to be married to Suzanne, the Countess's servant played by Leah Purcell. On the morning of the wedding he discovers that the Count plans to claim droit de seigneur, the ancient right of the lord to sleep the first night with the bride of any of his vassals. Figaro is naturally ill-disposed to such a plan, and so, a born schemer, he sets about thwarting his master's lust. The scenario is further complicated by the lustful intentions of Cherubin, the Count's page played by John Leary, towards the Countess, played by Robyn Nevin; intentions which are rendered all the more perilous by the Count's explosive jealousy.
Bit 3 What we have, then, is a French bedroom farce: plenty of rushing about, being almost caught in compromising situations, and bawdy sexual innuendo: upon the first appearance of the Count in the company of Suzanne, for example, his jodhpurs are so arranged as to portray an exaggerated and unmistakable state of tumescence. The quality of the cast, mixed with the quality of the material, produces an engaging, and sometimes hilarious spectacle that was, as I say, well worth the cash.
Bit 4 There is something about stardom that is exciting to be near -- one time, years ago, when I was in Chicago I met a guy who had been friends with Elvis, (and I still tell the story) -- and perhaps that's another reason why I, at least, stopped worrying about the price of my evening out. Geoffrey Rush certainly has stardom, and it was certainly used to full effect: he drew the audience to himself by his very presence, and didn't disappoint with his performance. Of course, in a play about the corrupting effects of power and prestige that has been adapted to resonate with the contemporary world, there was the inevitable (and maybe a bit predictable) reference made to Figaro having an inflated opinion of his own worth because of his winning a "little award". But whatever way you look at it, Geoffrey Rush has got it (and the award too). I'm happy.

Bit 5 Details

The Marriage of Figaro, by Beaumarchais; adapted by Neil Armfield and Geoffrey Rush.
Queensland Theatre Company, Optus Playhouse, Brisbane, 31 Aug. to 19 Sep. 98.
Director: Neil Armfield.
Cast: Geoffrey Rush (Figaro), Bille Brown (Count Almaviva), Robyn Nevin (Countess), Leah Purcell (Suzanne), Cherubin (John Leary).


Bit 6 Citation reference for this article

MLA style:
Paul Mc Cormack. "Hilarious Spectacle: 'The Marriage of Figaro'." M/C Reviews 20 Sep. 1998. [your date of access] <http://www.uq.edu.au/mc/reviews/events/figaro.html>.

Chicago style:
Paul Mc Cormack, "Hilarious Spectacle: 'The Marriage of Figaro'," M/C Reviews 20 Sep. 1998, <http://www.uq.edu.au/mc/reviews/events/figaro.html> ([your date of access]).

APA style:
Paul Mc Cormack. (1998) Hilarious spectacle: 'The marriage of Figaro'. M/C Reviews 20 Sep. 1998. <http://www.uq.edu.au/mc/reviews/events/figaro.html> ([your date of access]).

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